0.31.0 — 2026-08-10

The mouths match

Each shot can be retimed to its own line, so a character stops miming while somebody else's voice plays.

Takes longer than ten seconds say so instead of failing at the provider. Shots are now generated long enough to hold their own dialogue, which means a wordy line can produce a take longer than matching can accept — the panel names how many rather than letting the attempt fail.

A shot can have its mouth matched to its line. Until now the voice was laid beside the picture and the two never agreed — the character moved their lips to nothing in particular while the track played over the top, which reads as bad dubbing whatever the language. Shoot, voice, then match: the take comes back with the mouth doing what the line says.
The original take is kept. Matching produces a second clip rather than replacing the first, so a result you dislike is dropped rather than re-shot — and a shot that cost four attempts to get right cannot be spent twice.

Assembly uses the matched take when there is one and the original when there is not, so a film with no matching cuts exactly as it did before.